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Censored pig bum
Originally uploaded by Carol Browne












I have a tattoo of a boar in some kind of fake-medieval Russian style. I got it because the wild boar is something like my totem animal. To me, wild boars have always been brave, strong, straightforward and - not least - feared and hated. As with wolves, European hunters in the previous centuries would orchestrate mass slaughters of wild boars, telling themselves that the boars were embodiments of Satan. Hunters generally fear boars, because they are very dangerous to hunt due to their strength and intelligence.
I'm certainly not the only one with a boar tattoo. This is how tattoobody.org gives a (very basic) explanation of the symbolism behind boar tattoos:
Illustrations from top to bottom:
More:
Okay, I saved the best for last. Or, rather, I only came across it a couple of days later, by chance. On the left are reproductions of tattoos of Russian criminals, found on vne3akona.narod.ru. Fig. 47 is a boar, and the caption goes like this:
Today I was at the recently opened exhibition "Under the Sign of the Golden Griffin - The Royal Tombs of the Scythians" in the Martin-Gropius-Bau. I somehow imagined that photographing would not be permitted, so there I was with my drawing pad while everyone else was taking tons of pictures of the exhibits with their digicams and phones. Oh well, maybe I'll go there another time with my camera.
Most of the exhibits were extremely elaborate metal works that had been well preserved in graves and other sites. A lot of the designs had animal motifs: most commonly horses, which were essential in the Scythian lifestyle, and deer, which probably were the most common and/or popular prey of Scythian hunters, but there were also motifs of other animals, like moose, tigers, fish, wolves, eagles, roosters, etc., depending a bit on the fauna of the region of their origin. Of course, I kept an eye out for images of boars.
Though images of deer and horses clearly dominated, there were also a few boars. Most of them were depicted in hunting scenes or perhaps as food offerings, often along with deer.

On the left is a dagger with a knob in the shape of a boar from Arzhan, Tuva. There was only a schematic drawing of it in the exhibition.
No, there were no tears. “If you’re going to turn into a pig, my dear" said Alice, seriously, “I’ll have nothing more to do with you. Mind now!” The poor little thing sobbed again (or grunted, it was impossible to say which), and they went on for some while in silence.
Alice was just beginning to think to herself, “Now, what am I to do with this creature, when I get it home?” when it grunted again, so violently, that she looked down into its face in some alarm. This time there could be no mistake about it: it was neither more nor less than a pig, and she felt that it would be quite absurd for her to carry it any further.
So she set the little creature down, and felt quite relieved to see it trot away quietly into the wood. “If it had grown up,” she said to herself, “it would have made a dreadfully ugly child: but it makes rather a handsome pig, I think.” And she began thinking over other children she knew, who might do very well as pigs, and was just saying to herself, “if one only knew the right way to change them—” when she was a little startled by seeing the Cheshire-Cat sitting on a bough of a tree a few yards off.'
Had it been me, I would have been happy to bring the little piggy home and take care of it ...
Der Spiegel writes: "A modern-day boar in the north-western French region where the Asterix comics are set has avoided the plight of his forebears -- and even befriended a herd of cows."
Pigs have previously been trained to find truffles and narcotics, and now, also mines. In Israel, of all places.

After the previous posts, here is something more positive. Walter Jeffries on Sugar Mountain Farm, Vermont, explains in a very down to earth way why pasturing pigs is actually much more economical and less work-intensive when you keep them for meat.
"In order not to waste the dough, the bakeries make it into shapes of mini piglets and place them in these baskets. It was said that in the olden days in China, these "Zhu Long" (猪笼 pig baskets) made of bamboo were used to drown adulterous couples. The villagers would place the adulterous pair in a basket each and throw them into the sea."
Tori Amos (left) has appeared breastfeeding a piglet on the album sleeve of her record Boys for Pele (about which she talks a bit in this interview), alienating hundreds of "fans" (not true fans, I guess) and apparently shocking the hell out of bigot America.
"[Wives] were expected to work long hours in the gardens, then walk home carrying huge loads of firewood and food, then go to the river for water, then cook dinner - and through it all, tend the children. While they did all this work, the men occassionally hunted or fished - or mostly sat under the trees and 'protected' the women from enemy attacks."
Women and pigs have a fairly close relationship:
Alison Scott has on her blog mentioned baking "Cheesy Orange Pigs". If you scroll down the page to the comments, she will share the recipe ...
Pugna Porcorum ("The Battle of the Pigs") was written around 1530 by the domenican monk Johannes Leo Placentius from Liège, under the pseudonym "Publius Porcius, Poet". It is a great masterpiece of Latin-language alliteration. In its 253 hexameters, every word begins with 'p'.

They used to have the one in blue and black, as well, though it's not very well matched in the picture on the left.