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The two first sketches are adornments on horse bridles, two boars among dozens of deer, ibex, moose, tigers and other animals, from the 5th century BCE.
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The two boars on the left are from a petroglyph from the kurgan in Arzhan, Tuva. They are part of a design with three boars and four ibex sheep. The boars below are from another petroglyph at the same site. Towards the left, the design continues with deer figures. The boars in this images appear to be lying down on their side, and are thus most likely depictions of offerings.
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This golden pectoral found in Ordzhonikidze was also among the exhibits. Its design incorporates various scenes, among them a lion attacking a wild boar.
Here is a photo with some of the golden adornments worn by a noble couple found in a grave in Arzhan. Among them are "thousands of little panthers and boars from the cloaks of the couple".
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Above to the left is a sketch of one of several dozens of little golden boar figures that used to adorn a quiver (Arzhan, Tuva, late 7th century BCE). The sketch on the right might give an impression of how the little boars were arranged. (Each dimple = a little golden boar figure).
Maybe they were supposed to give good luck in hunting, or be symbols for all the boars that the owner of the quiver had slain.
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There were also boar's teeth on display (9th-8th century BCE), which had been worn as a necklace, perhaps as hunting trophies.
In excavations of ancient fortifications in Stânceşti, Moldova, something quite interesting had been found: a fish with the head of a boar and, probably, the tail of a bird. It stems from the 5th or 4th century BCE, and was most likely part of a headdress for a horse, worn on the side of the horse's face. It was about 30 cm long and made of gold.
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One interpretation is that the figure symbolizes the three elements earth (boar), water (fish) and air (bird). "Similar motifs have been found among both Thrakian an Scythian remains", it said.
The scythian noblemen had fiercely kick-ass tattoos, but unfortunately none of the tattoos shown in this exhibition (in drawings, a mummified man and the preserved skin from another man's arm) had any boar motifs.
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